Dance festival – Del Cuer PO http://delcuerpo.com/ Sat, 04 Dec 2021 00:38:23 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://delcuerpo.com/wp-content/uploads/2021/10/profile-120x120.png Dance festival – Del Cuer PO http://delcuerpo.com/ 32 32 Battery Dance is now accepting applications for the 41st Annual Battery Dance Festival https://delcuerpo.com/battery-dance-is-now-accepting-applications-for-the-41st-annual-battery-dance-festival/ Sat, 13 Nov 2021 19:41:30 +0000 https://delcuerpo.com/battery-dance-is-now-accepting-applications-for-the-41st-annual-battery-dance-festival/ Battery Dance is now accepting applications for the 41st annual Battery Dance Festival, with free performances August 14-20, 2022 at Robert F. Wagner Jr. Park, New York. Applications should be submitted online at https://batterydance.org/apply/. Battery Dance Festival, New York City’s longest-running free public dance festival, was established by Battery Dance as the Downtown Dance Festival […]]]>

Battery Dance is now accepting applications for the 41st annual Battery Dance Festival, with free performances August 14-20, 2022 at Robert F. Wagner Jr. Park, New York. Applications should be submitted online at https://batterydance.org/apply/.

Battery Dance Festival, New York City’s longest-running free public dance festival, was established by Battery Dance as the Downtown Dance Festival in 1982. It attracts an audience of around 2,000 each night from across the city. large downtown population of workers, residents, families, tourists, seniors, and dance fans from the greater New York City area and beyond. The Festival will be broadcast live to our global audience, reaching thousands of international viewers each evening. Battery Dance Festival offers a unique opportunity for professional dancers and choreographers of all genres to present original works of great artistic value in a free public forum with the backdrop of New York Harbor, the Statue of Liberty and the sunset. . Past participants have included Dorrance Dance, New York Theater Ballet, Flamenco Vivo Carlota Santana, Vanaver Caravan, Dancing Earth Indigenous Dance Company, Music from the Sole and Jamal Jackson Dance Company alongside preeminent companies from Africa, South Asia. , East Asia, Europe, South America and the Caribbean. Video of last year’s Festival here: https://youtu.be/WyoBotvyRwA.

Battery Dance established its open-air festival in 1982 as part of its engagement with its native community of Lower Manhattan where it has been based since its founding in 1976. As one of the United States’ leading cultural ambassadors, Battery Dance connects the world through dance. The Company pursues artistic excellence and social relevance by creating vibrant new works, performing on stages around the world, presenting dance in public spaces, serving the field of dance and teaching people of all ages with particular attention to the disadvantaged and conflict zones. Battery Dance is committed to strengthening the cultural vibrancy of its home community in New York City, expanding programming across the United States, and building bridges around the world through international cultural exchanges with programs in 70 country to date. You can find more information on their website, www.batterydance.org


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Battery Dance accepting applications for Battery Dance 2022 festival https://delcuerpo.com/battery-dance-accepting-applications-for-battery-dance-2022-festival/ Sat, 13 Nov 2021 04:43:03 +0000 https://delcuerpo.com/battery-dance-accepting-applications-for-battery-dance-2022-festival/ Battery Dance is now accepting applications for the 41st annual Battery Dance Festival, with free performances August 14-20, 2022 at Robert F. Wagner Jr. Park, New York. Applications should be submitted online at https://batterydance.org/apply/. Battery Dance Festival, New York City’s longest-running free public dance festival, was established by Battery Dance as the Downtown Dance Festival […]]]>

Battery Dance is now accepting applications for the 41st annual Battery Dance Festival, with free performances August 14-20, 2022 at Robert F. Wagner Jr. Park, New York. Applications should be submitted online at https://batterydance.org/apply/.

Battery Dance Festival, New York City’s longest-running free public dance festival, was established by Battery Dance as the Downtown Dance Festival in 1982. It attracts an audience of around 2,000 each night from across the city. large downtown population of workers, residents, families, tourists, seniors, and dance fans from the greater New York City area and beyond. The Festival will be televised live to our global audience, reaching thousands of international viewers each evening.

Battery Dance Festival offers a unique opportunity for professional dancers and choreographers of all genres to present original works of great artistic value in a free public forum with the backdrop of New York Harbor, the Statue of Liberty and the sunset. . Past participants have included Dorrance Dance, New York Theater Ballet, Flamenco Vivo Carlota Santana, Vanaver Caravan, Dancing Earth Indigenous Dance Company, Music from the Sole and Jamal Jackson Dance Company alongside preeminent companies from Africa, South Asia. , East Asia, Europe, South America and the Caribbean.

For more information, visit https://batterydance.org/apply/.


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University Dance Festival at McCarter’s Berlind Theater https://delcuerpo.com/university-dance-festival-at-mccarters-berlind-theater/ https://delcuerpo.com/university-dance-festival-at-mccarters-berlind-theater/#respond Wed, 10 Nov 2021 07:46:05 +0000 https://delcuerpo.com/university-dance-festival-at-mccarters-berlind-theater/ THE DANCE FESTIVAL IS BACK: Choreographer Omari Wiles (center foreground) with students from Princeton University rehearsing for his new work which will be presented at the Princeton Dance Festival 2021. (Photo by Jonathan Sweeney) Princeton University’s Lewis Center for the Arts’ Program in Dance presents the Princeton Dance Festival 2021 November 19-21 at McCarter Theater […]]]>

THE DANCE FESTIVAL IS BACK: Choreographer Omari Wiles (center foreground) with students from Princeton University rehearsing for his new work which will be presented at the Princeton Dance Festival 2021. (Photo by Jonathan Sweeney)

Princeton University’s Lewis Center for the Arts’ Program in Dance presents the Princeton Dance Festival 2021 November 19-21 at McCarter Theater Center’s Berlind Theater.

Princeton students in the program will perform new works by faculty member Tina Fehlandt, whose work is inspired by the choreography of Mark Morris on the 40th anniversary of the founding of his famous dance company, and Rebecca Lazier. . In addition, students will perform new works by guest choreographers Kyle Marshall, Larissa Velez-Jackson and Omari Wiles. Works in the festival’s repertoire will include those of Justin Peck Rodeo: four dance episodes, directed by Michael Breeden; and Jawole Willa Jo Zollar and Germaine Acogny’s Women’s resistance, directed by Samantha Speis.

Performances will take place over three days, starting November 19 at 8 p.m. ET. They will continue with two other performances on November 20 at 2 p.m. and 8 p.m., and will end with a final performance on November 21 at 2 p.m. Currently under the direction of choreographer Susan Marshall, Princeton’s Program in Dance is now in its 51st year and has grown to include five full-time teachers and nine adjunct teachers and offers 23 different courses and a program that includes dance classes. introduction, courses adapted to pre-professional level dancers, as well as courses in dance studies and interdisciplinary contemporary practices.

Rodeo: four dance episodes by Justin Peck, acting resident choreographer of the New York City Ballet, will be directed by Michael Sean Breeden, a ballet coach, in a way that reinvents the play’s gender roles. Rodeo is Peck’s abstract interpretation of Aaron Copland’s famous Americana score and pairs a single woman with “a cast of 15 cheerful, energetic and charming male dancers for a fresh and exciting adventure”. When it premiered at Princeton, excerpts from the ballet were reimagined, with gender identity no longer a prerequisite for any of the roles. Peck has created over 40 ballets, won a Tony Award for choreography for the Broadway revival in 2018 Carousel, and choreographed Steven Spielberg’s upcoming film, West Side Story. Breeden has danced with the Miami City Ballet, Boston Ballet, and Pennsylvania Ballet, where he has performed lead roles in works by George Balanchine, Twyla Tharp, Paul Taylor, Christopher Wheeldon, and Alexei Ratmansky. He has taught at Yale University, Kent State University, Ballet Tech, Ballet Academy East, Vail Dance Festival, and Mark Morris Dance Center, among others.

Samantha Speis is Co-Artistic Director of Urban Bush Women (UBW) and the 2017 recipient of a New York Dance and Performance Award “Bessie” for Best Performer. UBW is a critically acclaimed contemporary dance-theater company that seeks to bring to light untold and understated stories through dance. As members of the African diaspora community, UBW strives to create a more equitable balance of power in the world of dance and beyond. Speis will stage Women’s resistance, an extract of the scallies of memory, originally choreographed by Jawole Willa Jo Zollar, founder of UBW, and Germaine Acogny of Compagnie Jant Bi (Senegal). Women’s resistance Vibrantly embodies the power, resilience and relentless pursuit of Women + for liberation and justice.

The Dance Festival presents five new works: Hyphenation is a collaborative work created by choreographer Rebecca Lazier and composer Ryan Wolfe, with contributions from the student cast. Onyx Studies is a new work created by choreographer Kyle Marshall as a review of white rock musicians studying, imitating and copying songs, styles and techniques direct from black musicians without their permission. Star Pû Method ~ Care, Freedom and Partnership is a new work created by choreographer Larissa Velez-Jackson from her research into the healing properties of her improvisation practice, the Star Pû method. A new work by Tina Fehlandt will lead Princeton dance students on an exploration of more than 40 years of dances performed by choreographer Mark Morris. A new work by choreographer Omari Wiles explores both male and female energy through dance and expression.

All guests are required to be fully vaccinated against COVID-19, wear a mask indoors, and show proof of vaccination and photo ID at the door. (Princeton students, faculty and staff need only show their PU ID.) Dancers will be unmasked when they perform on stage. Tickets cost $ 12 before show dates, $ 17 purchased on the day of performances at the box office and $ 10 for students. Tickets are available online at mccarter.org/dance-festival.


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A window on tribal life and culture https://delcuerpo.com/a-window-on-tribal-life-and-culture/ Tue, 09 Nov 2021 11:12:54 +0000 https://delcuerpo.com/a-window-on-tribal-life-and-culture/ A knee-length loincloth tied around their waists and a series of ethnic jewelry covered all of the men’s bodies as they joked with the women. The women responded to the openings in tune with the music of the tapping, and the soft lighting in the background complemented the mood. Draped in saris and heavily adorned […]]]>

A knee-length loincloth tied around their waists and a series of ethnic jewelry covered all of the men’s bodies as they joked with the women. The women responded to the openings in tune with the music of the tapping, and the soft lighting in the background complemented the mood. Draped in saris and heavily adorned with ornaments, the women also returned the favor through subtle smiles and flushed cheeks. In a world almost entirely fueled by transient social media content on apps like Twitter and WhatsApp, the vision seemed almost surreal. What unfolded in front of me, however, was just another depiction of daily life and celebration among the tribes.

The dance performance was part of the second edition of the National Tribal Dance Festival which recently concluded in Raipur, the capital of Chhattisgarh, with the participation of 45 tribal communities. Known as the Dhap dance, it is popular among the tribes of the Sambalpur district in Odisha.

The few hundred participants gathered through their performances presented the various traditions and the myriad of cultures of the ancient inhabitants of the forest.

This in turn has resulted in a unique opportunity for the urban masses and tourists to get acquainted with these traditions which are mostly rooted in pagan customs and nature.

Tribal communities spanning the entire country – from Andaman and Nicobar to Kashmir and from the northeastern states to the far west of Gujarat – presented a visual feast to the audience, filled with remarkable traditional costumes and adornments. Through their performances, the dancers tried to reiterate the similarities and differences in their lifestyles and lifestyle choices.

Many of the performances had themes based on traditional customs like wedding ceremonies and harvesting rituals. One group from Assam, for example, performed the Karbi Tiwa dance while a tribal group from Gujarat performed the endearing Mewasi dance. These two dances are usually part of wedding ceremonies.

Equally captivating were the tribes of the Andaman and Nicobar Islands who danced the Nicobari as they deepened their relationship with religion and agriculture.

The nomadic Gujjar tribes of Jammu and Kashmir, who reside in airplanes in winter but move to the high altitude areas of Kashmir, have left audiences spellbound with their Gojari dance that they normally hold for weddings and other celebrations. social.

Members of the dance troupes felt delighted to be a part of the event.

Kailash Sisodia, 40, who led a group of 16 dancers from the Bheel tribes of Madhya Pradesh, was proud to have organized the Bheel Bhagoriya dance with members of his team.

Dressed in a yellow turban, blue shirt and white dhoti, these tribes were armed with bows and arrows and swayed to the rhythm of drums followed by women in traditional golden saris.

“The dance performed during Holi in local markets where young boys and girls participate to brighten up their marriage prospects. We really feel blessed to be here and to present our culture to such a large audience, ”said Sisodia, who is a local BJP leader in addition to being a farmer.

Another team leader, Sumit Kumar Pradhan, 30, led a tribal group of 22 members from Sambalpur to Odisha to perform the Dhap dance.

“During wedding ceremonies, the friends of the groom and the groom tease each other about the rules of marriage and that is the point of this dance,” said Pradhan, who had only wrapped a piece of cloth around his waist. up to the knees. The troupe were decked out in local jewelry and heavy makeup.

A member of the Oraon tribe from Ranchi, the capital of Jharkhand, whose group performed the tribal dance called Bandi Oraon, said he was delighted to see the encouraging response from the audience.

“It is a dance that is performed on all occasions, whether it is a wedding or birth ceremony or even a death ceremony. Only our dress, our dance steps and our music change according to the occasion, ”he said, adding that the trip from his village from Ranchi to Raipur is like a dream come true.

The groups competed for a reward of five rupees, three lakhs and two lakhs respectively, according to a press release issued by the administration in charge of managing the event.

The dance forms in the wedding ceremony category included Gour Sing from Chhattisgarh, Karma from Madhya Pradesh, Dhimsa from Andhra Pradesh, Gojari from Jammu and Kashmir, Kadsa from Jharkhand, Guryaballu from Andhra Pradesh, among others. “, did he declare.

“Dance forms under the category of traditional festivals and rituals included Karma from Chhattisgarh, Gussadi Dhimsa from Telangana, Urav from Jharkhand, Sidi Goma from Gujarat,” he added.

Besides 45 tribal groups from 33 States and Union Territories, seven tribal dance teams from countries such as Nigeria, Palestine, Kingdom of Eswatini (Swaziland), Uzbekistan, Mali, Sri Lanka and the Uganda brought an international touch to the whole event.

Thousands of visitors feasted as they watched Indian tribes and tourists shake their legs to the tune of Ugandan folk song Bakisimba.

Robert Musiikuua, 30, who was the leader of the group, informed that the Bakisimba is a royal or Ugandan dance that is originally performed in front of the king.

The troupe also staged another popular dance, La Raka Raka, which young men and women in northern Uganda love to perform together.

“We are happy to be here to showcase Uganda’s cultural diversity and heritage. We will promote tourism in our country. This festival brought us together as a nation and a culture, ”said Musiikuua.

“Culture can be used as a tool to create unity, peace and fight against environmental degradation. When we play together, we learn something from each other and take that learning home, ”he added.

Thempekile, team leader of the Eswatini Kingdom dance group (Swaziland), echoed similar expressions as she also felt that performing at the National Tribal Dance Festival was an important cultural achievement for her.

The eight-member team, including two officials, performed the Sibhaca dance, a vigorous war dance popular in Swaziland. “It is performed on all occasions but mainly on competitive occasions etc.,” said Thempekile, 28.

“It’s memorable to be here in India and to share our culture with others. Everyone appreciated our culture and it was a wonderful feeling, ”she added.

Mohan Dass of the Sri Lankan Tamil Tribe Team said being in India was like a home for his team and that he was thrilled to have the opportunity to perform some of the best folk dances in his community.

“We are Sri Lankan Tamils ​​and playing in India is always a source of great pride for us,” said Dass.

State administration officials believe that the 2nd edition of the tribal dance event shows its popularity and success as the attendance was much higher than the 1st edition held in 2019.

“In the first edition, there were only 24 states and 6 countries. But the 2nd, which is the first event of its kind in the post-Covid era, saw 33 states and Union territories and seven countries, ”said Chhattisgarh Tourism Secretary Anbalagan P.

He added, “These states and UTs, which do not have tribal populations like Delhi and Chandigarh, were unable to participate. Otherwise, this time we had a pan-Indian response which was quite encouraging. Anbalagan believes that such events will promote foreign tourism in the state.

Speaking about the event, Bhupesh Baghel, Chief Minister of Chhattisgarh, said that such festivals act as a bridge between us and the tribal community and this platform shows that tribes all over the world have something in common with each other. .

“The goal is to make them understand that they are not far from us. They are part of our culture and our tradition. They are as important to us as other companies. That’s why I’m holding him in the state capital, ”Baghel said.

He added, “The tribal people of a particular region feel that they are as much as their own geographic boundaries which are not true. But these kinds of events made them realize that tribes exist across the world and that there is a certain similarity in their way of life.


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Le Drum And Dance Festival – Little River Campground, Christchurch https://delcuerpo.com/le-drum-and-dance-festival-little-river-campground-christchurch/ Mon, 08 Nov 2021 02:16:35 +0000 https://delcuerpo.com/le-drum-and-dance-festival-little-river-campground-christchurch/ This year’s festival is made up of two days and nights of concerts, performances and workshops. Ideal for those who want to learn and participate, but also just to listen. Family-friendly with on-site campsite.Preliminary lineup for the 2021 Little River Drum Festival (subject to change)FRIDAY 19 Nov8:00 p.m. Concert – Yurt PartySATURDAY 20 Nov9:30 am […]]]>

This year’s festival is made up of two days and nights of concerts, performances and workshops. Ideal for those who want to learn and participate, but also just to listen. Family-friendly with on-site campsite.
Preliminary lineup for the 2021 Little River Drum Festival (subject to change)
FRIDAY 19 Nov
8:00 p.m. Concert – Yurt Party
SATURDAY 20 Nov
9:30 am Jam morning session
10:30 Flamenco Palmas (applause) Rhythm workshop with Emily Napolitano
11:30 Performance by Burnside High Percussion Ensemble
12:00 pm Soul Star Tribe Gypsy Caravan Style Dance Show and Workshop
1h00 Performance of a samba group and samba drums workshop with Nelson Sambassadors
2:30 Dekaworwor African percussion and dance workshop with Maganui Stewart
3:30 p.m. Percussion students from the University of Canterbury
4:30 Dekaworwor African Drums and Dances Show
7:30 am Jam Session – some drums provided
8:30 am Concert – Rhomboid plays the Beatles and Bowie
10:00 a.m. – silent disco drum and bass DJs to be confirmed

SUNDAY Nov. 21
9:30 am Tabla show with Justin DeHart
10:00 am special surprise guest
11h00 – Miro Klima, Ricardo Studani, Pablo Salas and Carlos Riegel
12:00 Christchurch School of Music Samba Band and Nelson Sambassadors
12:30 Christchurch Afro-Cuban Ensemble / Ara Students Performance
Doug brush
1:30 Balinese Gamelan Performance with Pak Made
2:45 Takumi – Spectacular grand finale with the incredible power of the Japanese Taiko drum

A weekend of drumming and dancing. Located in the sheltered Okuti Valley, 3 miles from Little River on the Banks Peninsula, the Drum Festival is in at least its 10th year (we’ve lost count!). Usually it’s kind of a laid back weekend. Suitable for hippies to hipsters and everyone else, and you don’t even need a good beat to attend.

There will be a Kava cave and vegetarian food available, but brace yourself and BYO food. There is a kitchenette for cooking and hot showers available for $ 2 for 5 minutes. You just have to bring your tent, suitable clothes, because it can get cold. We will have a campfire both nights.

world, Rhomboid, Yurt Party

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Gamasutra – Press Releases – October GameRefinery Bulletin: Roblox Hosts Virtual Dance Festival, and TikTok Trend is Soaring Retro Bowl to Top Download Charts https://delcuerpo.com/gamasutra-press-releases-october-gamerefinery-bulletin-roblox-hosts-virtual-dance-festival-and-tiktok-trend-is-soaring-retro-bowl-to-top-download-charts/ https://delcuerpo.com/gamasutra-press-releases-october-gamerefinery-bulletin-roblox-hosts-virtual-dance-festival-and-tiktok-trend-is-soaring-retro-bowl-to-top-download-charts/#respond Fri, 05 Nov 2021 13:04:59 +0000 https://delcuerpo.com/gamasutra-press-releases-october-gamerefinery-bulletin-roblox-hosts-virtual-dance-festival-and-tiktok-trend-is-soaring-retro-bowl-to-top-download-charts/ [This unedited press release is made available courtesy of Gamasutra and its partnership with notable game PR-related resource Games Press.] GameRefinery by Vungle has released its latest analysis of the major mobile gaming markets in the United States, China and Japan for October 2021. This month has brought major changes to several titles with deadly […]]]>


[This unedited press release is made available courtesy of Gamasutra and its partnership with notable game PR-related resource Games Press.]

GameRefinery by Vungle has released its latest analysis of the major mobile gaming markets in the United States, China and Japan for October 2021.

This month has brought major changes to several titles with deadly Halloween events. League of Legends: Wild Right introduced guilds, and the arrival of Hearthstone’s new Mercenaries mode brought RPG-like elements to the game.

Other highlights include:

  • Roblox hosted the Insomniac World Party event, a virtual equivalent of Electric Daisy Carnival (the world’s largest dance music festival) and featured over 50 performers. Downloads and revenue continued to climb over the four days of World Party before ending at the end.
  • Thanks to TikTok’s viral trends and savvy influencer marketing, the retro-style American football game Retro Bowl has skyrocketed to the top of the download rankings with over 100,000 downloads, and videos mentioning the “retro bowl. On the social platform have been viewed over 7 billion times. .
  • Cookie Run: Kingdom is breaking it again this month. Halloween updates, which include a new gacha skin system, saw their daily earnings double. Daily downloads also doubled and continued to climb until the end of the month.
  • In China, Digimon New Century was released and had, as you might expect, been a huge hit with Chinese gamers. This free-to-play RPG has made it to the top 10 of the highest-grossing charts.

Read the full Analyst Bulletin for more information and data on the GameRefinery by Vungle website: Analyst Bulletin – October 2021

— ENDS —

About Vungle’s GameRefinery
GameRefinery by Vungle is the leading feature-level data provider in the mobile gaming market, with an ever-growing database spanning hundreds of thousands of games. GameRefinery customers include leading mobile game companies such as Zynga, Wargaming, King, and FunPlus. The GameRefinery platform uses unique algorithms and a team of expert analysts to help developers, investors and publishers delve deeper into the building blocks of mobile games to uncover the drivers of success, understand why games succeed and how to get there. from pre-production to LiveOps.

Press kit: Press kit

Media contact:
Amy Ballantyne
[email protected]


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Telangana government releases Rs 1 cr for Dandari-Gussadi dance festival https://delcuerpo.com/telangana-government-releases-rs-1-cr-for-dandari-gussadi-dance-festival/ https://delcuerpo.com/telangana-government-releases-rs-1-cr-for-dandari-gussadi-dance-festival/#respond Wed, 03 Nov 2021 19:10:00 +0000 https://delcuerpo.com/telangana-government-releases-rs-1-cr-for-dandari-gussadi-dance-festival/ Adilabad: Recognizing the importance of the religious and cultural affairs of the aboriginal tribes, the state government for the first time released 1 crore rupees for the conduct of the Dandari-Gussadi dance festival. The government’s decision applauded the tribes of the ancient district of Adilabad. Incidentally, no previous government had recognized the festival, nor allocated […]]]>

Adilabad: Recognizing the importance of the religious and cultural affairs of the aboriginal tribes, the state government for the first time released 1 crore rupees for the conduct of the Dandari-Gussadi dance festival. The government’s decision applauded the tribes of the ancient district of Adilabad.

Incidentally, no previous government had recognized the festival, nor allocated any subsidy for this dance festival.

“Gussadi is an ancient form of folk dance of the aboriginal tribes. Dandari troops perform it during the festival for a fortnight. Despite its rich significance, successive governments have failed to recognize the religious and cultural affair. The state government having approved the grant, a sum of 10,000 rupees is paid to each troop, ”said Kanaka Ambaji Rao, a teacher from Marlavai village in Jainoor Mandal.

Hyderabad News

click here for more information on Hyderabad

Come Diwali, cultural and spiritual exuberance has invaded the dwellings belonging to the ancient district of Adilabad with dance troupes or Dandaris presenting their skillful movements to folk songs and drumbeats. The fervor of the case seizes the Adivasi dwellings across the highlands district of Adilabad.

The tribes, including Raj Gonds and Kolams, perform traditional rituals to mark the start of the dance season. They worship the large peacock feather crowns and the musical instruments used by the troops as a prelude. The troupes visit neighboring villages to show off their dancing skills. Young people, who are part of these troops, can have the opportunity to impress a girl and marry her by making skillful gestures.

As part of the festival, ethnic tribes perform satirical skits depicting socio-economic conditions by presenting the characters of those who exploit and harass the Adivasis. They close the deal by worshiping the goddess Lakshmi on the Festival of Lights. Troops, made up of female dancers, would begin the dance performance.

Meanwhile, Rs 30 lakh were sanctioned for the construction of a temple of Pamdalpuri Kako in the village of Gudirevu in Dandepalli. Devotees and tribes thanked the government for building a permanent structure for the deity.

Danadri troops visit and perform special prayers at the ancient shrine as a prelude. The small village would come alive with the congregation of troops and tribes belonging to several parts of Telangana, Maharashtra, Chhattisgarh and Madhya Pradesh.


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Arts On Site announces dance festival hosted by Al Blackstone https://delcuerpo.com/arts-on-site-announces-dance-festival-hosted-by-al-blackstone/ https://delcuerpo.com/arts-on-site-announces-dance-festival-hosted-by-al-blackstone/#respond Tue, 02 Nov 2021 18:30:17 +0000 https://delcuerpo.com/arts-on-site-announces-dance-festival-hosted-by-al-blackstone/ Arts On Site announced performances in November, featuring dance, music and movies in the heart of the East Village at Studio 3R, 12 St. Mark’s Place, NYC. Tickets cost $ 30 and can be purchased online at artsonsite.ticketleap.com/studio-3r. DANCE FESTIVAL organized by Al Blackstone Thursday November 11, 2021 at 8:30 p.m. Friday November 12, 2021 […]]]>

Arts On Site announced performances in November, featuring dance, music and movies in the heart of the East Village at Studio 3R, 12 St. Mark’s Place, NYC. Tickets cost $ 30 and can be purchased online at artsonsite.ticketleap.com/studio-3r.

DANCE FESTIVAL organized by Al Blackstone

Thursday November 11, 2021 at 8:30 p.m.

Friday November 12, 2021 at 8:30 p.m.

Saturday November 13, 2021 at 8:30 p.m.

Tickets: $ 30

About the artist

Al Blackstone is an Emmy-nominated director, choreographer and educator. His passion for bringing people together to experience something meaningful drives him to do dances, tell stories and encourage a joyful connection. Born in New Jersey and raised in a dance studio, he has lived in New York for over a decade. During this time, he created emotional works for stage and screen, organized dance parties for charity, and introduced hundreds of people to each other. He deeply believes in the power of dance, community and kindness.

“Arts On Site started showcasing artists in 2016 at 12 Saint Marks Place,” said Chelsea Ainsworth, executive director of Arts On Site. “After 350 shows throughout the pandemic, AOS decided to build a new performance space, Studio 3R, in May 2021 and began presenting artists in June. The space includes the installation of new black curtains, professional lighting, marley flooring and risers for public seating. We’re excited to offer artists a new, intimate and professional performance space in New York City. “

Covid-19 protocols

Arts On Site enforces COVID-19 restrictions. Each performance is located in Arts On Site’s large space, Studio 3R, with an air filter. The stage is set up in a proscenium style with a clear division between artist and audience. Seating is limited and the first row of seats is located at least 10 feet from the stage. Additional security measures include:

Limited occupancy at each event, with only 34 total spectators at a time

Hand hygiene stations provided on site

Requirements that members of the public are masked and performers must be vaccinated

Signs are posted throughout the location reminding staff and visitors to adhere to good hygiene practices, use PPE appropriately, and follow disinfection protocols

Appointment of a site security controller whose responsibilities include ongoing compliance with all aspects of the site security plan

Ticket sales only online before the event, no ticket sales at the door

All visitors are required to:

Arrive at least 15 minutes before the show (6.15 p.m. and 8.15 p.m.)

Fill out the COVID-19 questionnaire (listed below)

Complete safety exemption

Wear an appropriate face cover

Disinfect your hands on arrival

Visitors are not allowed entry if they answer “yes” to any of the following questions:

Have you had symptoms of COVID-19 in the past 14 days?

Have you had a positive COVID-19 test in the past 14 days?

Have you been in close contact with a confirmed or suspected case of COVID-19 in the past 14 days?

For more information, visit artsonsite.org.


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The Cleveland Dance Festival takes inspiration from Tremont on November 5 and 6 https://delcuerpo.com/the-cleveland-dance-festival-takes-inspiration-from-tremont-on-november-5-and-6/ Tue, 02 Nov 2021 07:00:00 +0000 https://delcuerpo.com/the-cleveland-dance-festival-takes-inspiration-from-tremont-on-november-5-and-6/ The festival will feature lessons and performances by some of the country’s best dancers at Pilgrim Church. Cleveland, it’s time to grab your tap dancing and head to Tremont for the Cleveland Dance Festival. Held on November 5 and 6, the annual event at Pilgrim Church will feature lessons and performances by some of the […]]]>

The festival will feature lessons and performances by some of the country’s best dancers at Pilgrim Church.

Cleveland, it’s time to grab your tap dancing and head to Tremont for the Cleveland Dance Festival. Held on November 5 and 6, the annual event at Pilgrim Church will feature lessons and performances by some of the country’s top dancers. here
are three things to know before you dance the night away.

There is something for everyone. Participants will see dancers of different genres ranging from contemporary to hip-hop. “We wanted to give artists everywhere a platform to show off their talents,” explains Megan Gargano, Co-Artistic Director of Movement Project.

Getting involved is easy.
Whether you’re learning to dance or just honing certain skills, classes will be available throughout the festival. Masterclasses taught by professional dancers are available throughout the weekend ($ 16 for one class, $ 57 for four). “It’s a great way to get people out of the house, no matter what your level of dancer is,” says Gargano.

They are delighted to be back.

After spending the last 18 months trying to figure out the sequel, Gargano and the rest of the dance festival team are excited to provide resources to artists in the area. “Our goal is to give new and upcoming artists the visibility they need,” Gargano explains.


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When Liz Roche met Crash Ensemble https://delcuerpo.com/when-liz-roche-met-crash-ensemble/ https://delcuerpo.com/when-liz-roche-met-crash-ensemble/#respond Mon, 01 Nov 2021 07:18:45 +0000 https://delcuerpo.com/when-liz-roche-met-crash-ensemble/ Choreographer Liz Roche presents Demos, a “tapestry of live music and dance exploring human connection” created in collaboration with Crash Ensemble, premiered as part of the winter edition of the Dublin Dance Festival from November 11-13. I think if I had been able to live a different life, not in dancing, I would have wanted […]]]>

Choreographer Liz Roche presents Demos, a “tapestry of live music and dance exploring human connection” created in collaboration with Crash Ensemble, premiered as part of the winter edition of the Dublin Dance Festival from November 11-13.


I think if I had been able to live a different life, not in dancing, I would have wanted to be first violin in a large orchestra. I would have liked to stand out from time to time, then slip into the entourage of the orchestra and just ride the wave of sound created by everyone together.

It’s just an idea, not based on knowledge or experience – just a fantasy about a place that I imagined dynamic and exciting and a little nervous.

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When myself and composer David Coonan started doing Demos in 2019, this is the space in which I imagined the room would be installed – nothing too concrete, but an imagined space that hosted a large group of people, all playing their part in the goal of conviviality. I imagined disagreements and misguided orientation, a lot of individuality and debate, but somehow all mixed together there would be some possible state of harmony found. Coming back to my own domain, the choreography would focus only on what can happen between moving bodies. Cooperation, disparity, support, rivalry, consensus would all clash in the mix. It would be dance and music talking together of unity and democracy in a world where these concepts or ideas of “truth” were becoming more and more unstable and inaccessible.

The play wouldn’t comment or create stories about these things, it would just be them. For me to see people engage in anything, anything, wholeheartedly is deeply satisfying, and in a way that would be the experience – it would be the performance.

Then Covid-19 hit and there couldn’t have been contact between people for over a year. What does that do to a play about people who are together, move and sweat together, pushing into each other’s spaces through dance and music? And then, how can this exist without an audience?

The answer is he had to change. This lived experience of conviviality was now to include separation. And so, we made a series of 6 short films on the Abbey stage which has become Demos – separation and togetherness films, and screened them online at the Dublin Dance Festival Summer 2021 Edition. Cinema has brought a new kind of immediacy and intimacy to work that we never expected. We were able to get so close, see behind the scenery and under the movement. We were able to take a break from the action and follow an artist out of the theater or see another race to have her follow on stage. This introduction to separation in many ways brought us closer together.

Choreographer Liz Roche (Pic: Alan Gilsenan)

Six months later, we are about to present Demos at the O’Reilly Theater Dublin for Dublin Dance Festival Winter 2021 Edition. After everything that has happened in the last 18 months, we are all different people – and therefore Dēmos is now different. We are live and on stage with eight exceptional dancers from the Liz Roche Company performing with three musicians, as well as four more recorded, from the exceptional Crash Ensemble. Always stimulated by David Coonan’s score and held in sets and costumes by Katie Davenport, lighting by Sinead McKenna and projections by Jose Miguel Jimenez, the performers find new ways to realize what it means to be together.

We are now in this possible “post-Covid” moment where it is not over yet but we can see a way out for once. For a long time we have planned, modified, adapted, rethought, reimagined, made it work, returned to the drawing board, and now we can finally be here, present, on stage, with each other and with an audience. .. in the moment … now. It’s like the first time and we can’t wait.

Demos is at the Abbey Theater November 11-13 as part of this year’s Dublin Dance Festival – find out more here.


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